Tuesday, March 13, 2012

The Lord of the Rings - Part I - The Fellowship of the Ring (Paperback)



The Lord of the Rings - Part I - The Fellowship of the Ring (Paperback)

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Full Specification tags: literature, adventure, epic, tolkien, epics, epic fantasy, lord of the rings, classics, book, fantasy

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Product Details

  • Amazon Sales Rank: #252150 in Books
  • Published on: 2001
  • Binding: Paperback
  • 423 pages


The Lord of the Rings - Part I - The Fellowship of the Ring (Paperback)

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0 of 0 people found a following examination helpful.
5You improved go forward and buy them all now


By bernie


Most people entrance to this examination already have a good thought what a story is all about from possibly other readers or people who have seen a cinema done from this 3 partial story. This is not a trilogy a three-part story so we can buy a particular books yet it competence be advantageous to buy all 3 during a same time or a total volume.

The reason we contend buy a finish "Lord of a Rings" now is that we will usually be picking adult speed and removing all true in your mind and we will come to a finish of this volume. Talk about a cliffhanger. This animal leaves we with several.

Even yet a tour takes place 6 years after a adventures in Tolkien's "the Hobbit or There and Back Again", a essay impression is also a small some-more in-depth.

I am not going to counterfeit a story. J.R.R. Tolkien himself tells we what we need to know in a prolog.

Many people have examination things into this story meditative it was maybe an story of things like a bomb; yet Tolkien says himself that this is not an allegory.

Tolkien creates a abounding universe in that we a reader will feel we are partial of a adventure. If you've usually seen a cinema than you've usually seen a summary and we will not be unhappy in this book.

0 of 0 people found a following examination helpful.
5The tour begins


By E. A Solinas


A new call of readers have detected "The Fellowship of a Ring," interjection to a attainment of a epic film hits. And that is really a good thing, given this trilogy not usually spurred a anticipation genre into a important position, yet also supposing a template for probably each elf, dwarf, mislaid king, and Gothic anticipation universe since. It's also a disagreeable good read.

We open some sixty years after a events of "The Hobbit" -- Bilbo Baggins is older, not many wiser, almost wealthier, and utterly individualist (one not-so-affectionate nickname is "Mad Baggins"). He has also adopted his splendid juvenile cousin Frodo, who was orphaned during a juvenile age and had led a rather fractured life given then. On his 111th birthday, Bilbo unexpected vanishes, withdrawal behind all his security to Frodo -- including a golden ring that allows a wearer to turn invisible.

Seventeen years later, Gandalf a sorceress shows adult again on Frodo's doorstep, and informs a juvenile hobbit that his ring is in fact a One Ring of a Dark Lord Sauron. It fundamentally corrupts those who have it, and many of Sauron's energy is invested in it. Trying to inhibit risk from a Shire, Frodo leaves with his best crony Sam and his constant cousins Merry and Pippin. But Frodo has usually a smallest thought of a appalling and dangerous tour forward of him, that will take him opposite Middle-Earth to a immorality land of Mordor.

Many anticipation cliches were spawned from this book (although they weren't cliches when Tolkien used them). Orcs, elves, dwarves, halflings, sprawling Gothic kingdoms, dethroned kings, gray-bearded wizards and immorality Dark Lords. But no one will feel that these are stale; on a contrary, they feel uninformed and unused, given that is what they were when a book was initial penned.

Narrative-wise, this book starts on many a same note as "The Hobbit": it's lighter and some-more cheerful, given it opens in a Shire. But darker undertones start to stand adult in a really initial chapter, when Bilbo starts clutching during a Ring and vocalization in a Gollum-like manner. The gait is flattering delayed and light until a hobbits strech Bree, during that indicate it becomes darker, faster and harsher in tinge and pace. The matter in it also becomes some-more mature, quite in a chilling scenes after Frodo is stabbed by a Nazgul.

One of a things that Tolkien did unusually good is atmosphere. With a smallest of words, he conveys a threat of a Black Riders, a beauty of a Elves, a spoil of a ancient dominion of Moria, a poser of such characters as Aragorn. In some areas, he deliberately didn't elaborate on a such things as a Balrog, withdrawal a cognisance adult to a readers.

Another clever indicate is a clarity of epic proportions. Too mostly a anticipation author TRIES to write an epic, during a responsibility of particular impression development. Tolkien managed to change both of them, by focusing on a people in a core of epic struggles.

Frodo himself is a quintessential "little guy" hero, one of a final people whom you'd design to be on a goal to save a world. He's disposed to moods of possibly happiness or sadness, a small juvenile and wearied during a beginning, yet impossibly dauntless and stout-hearted when a vigour is put on him. He has no strange destiny or special powers to assistance him. He's simply an typical person.

We also have Gandalf, who is fleshed out from a agreeably cranky sorceress of "Hobbit" -- we see some-more of his dark sides and powers here. And Frodo is surrounded by a well-rounded expel of characters, including his constant gardener Sam and his charmingly disreputable cousins, as good as a abounding brotherhood of fragile Elves, puzzling group and bold dwarves.

Tolkien wasn't a initial anticipation writer, yet he can righteously be described as a initial remarkable anticipation writer, and he stays tip of a store today. "Fellowship of a Ring" is a must-read -- and afterwards go watch a cinema again.

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